Women Defy Slavery

The exhibit “Senhora Liberdade: Women Defy Slavery,” a partnership between the Center for Latin American Studies at the University of Pittsburgh and the National Archives of Brazil, tells the story of enslaved women’s struggles for freedom in 19th-century Brazil through freedom lawsuits, records of manumission, letters of emancipation, and photographs.

The exhibition offers multiple layers of reflection: that of enslaved women and their strategies for fighting for freedom; that of the invited historians, who analyze these life stories in the context of nineteenth-century Brazil; and that of the staff members of the National Archives, of Brazil who share testimonials and insights about these stories.

Now it’s your turn to learn about the project, reflect on Brazil’s history of slavery, and engage with the memories of slavery in Brazil.

Ten women. Ten stories.

Click on a name to discover each story.

Liberata

1813

Liberata was born in Brazil around 1780. From a very young age, she was subjected to harassment by her alleged master, who promised her freedom without ever fulfilling that promise.

Catarina

1836

In 1836, Catarina Maria had been living as a free woman for over eleven years when the loss of her letter of manumission paved the way for a new attempt to enslave her.

Eduvirges e Anna

1862

After the death of their mother’s former masters, Eduvirges and Anna were included as slaves in an estate inventory and initiated a legal action for freedom.

Cristina

1871

In 1837, the document preserved under the name of Cristina recalls an experience shaped by the conflict between the violence of captivity and the quest for legal recognition.

Bonifácia

1872

In 1872, the manuscript associated with Bonifácia preserves the trace of a woman whose journey is part of the many forms of resistance to slavery.

Marcolina

1874

In 1824, the handwritten lawsuit connected to Marcolina reveals the persistence required to have one’s own experience recognized in court.

Eva e Maria

1875

In 1803, the record of Eva and Maria brings two lives to the center of a story where family ties and freedom could be contested in official spaces.

Adriana

1883

In 1803, the document linked to Adriana offers a glimpse into a story of confrontation in which the pursuit of freedom required turning one’s own life into evidence.

Hermínia

1888

In 1888, Hermínia’s lawsuit preserves fragments of a journey that challenged the erasure imposed by slavery.

Claudina

1888

In 1888, Claudina’s document preserves the memory of a struggle that, like so many others, had to overcome the boundaries imposed by captivity and the justice system.

Freedom Records

Brazilian slave society produced a vast body of documents that sheds light on the experiences of women held in captivity. The following section reveals the complexity of the conditions they endured, as well as the multiple forms of resistance that shaped their lives.

Freedom Permits

Freedom permits for enslaved women fill the notarial records of Rio de Janeiro. What shocks us today was routine in the notary offices, whether it was the freedom permit “for the enslaved woman Laudicena, a thirty-year-old unmarried Black Creole” or the freedom permit issued in favor of “the Black woman Rita Maria da Conceição.”

The story behind
each photo

African and Afro-descendant women have a visible presence in portrait photography, particularly in the carte-de-visite, a popular format in nineteenth-century studios. These photographs often catered to foreign curiosity, so-called scientific interests, and the collecting practices of the ruling classes; at times, they also served to facilitate freedom. In the Brazilian National Archives, the relatively small number of surviving nineteenth-century portraits of Black women holds particular significance for the history of photography and renders these women and their images all the more meaningful in their poetic singularity.

Claudia Beatriz Heynemann

Glicéria

The portrait of Glicéria da Conceição Ferreira, a freed woman, reveals a strong sense of autonomy in the construction of her self-image—one that aligns with the status she intended to assert.

Benvinda

The scene conveys a sense of intimacy and affection. Benvinda, the enslaved wet nurse, holds a child in her arms. Her tense posture and gaze fixed on the baby reveal that the proper focus of the photograph is the white infant—not the Black woman who sustains her.

Two Women

These photographs invite a slow and curious gaze. Who took this picture? Who are these women? We know little—almost nothing—about this photographic record. Yet its mise-en-scène compels us to reflect on the society that produced it.

Romana

The life path of Romana da Conceição spans the Black diaspora between Brazil and Nigeria.

Letters of Emancipation

The emancipation letters of Liberated African women that have survived the passage of time record sad stories. They were issued by the Anglo-Brazilian Joint Commission or by the Orphan Courts when people found aboard seized slave ships were formally emancipated. Each person is identified by a Christian name (disregarding any previous name), their country of origin, body marks, and, in some cases, a physical description. The free African women Romana Benguela, Agatha Unane, and the others died prematurely. Their letters are on display here because they were returned to the Ministry of Justice, archived, and thus preserved for posterity.

Beatriz Mamigonian

Brigs

Slave ships Asseiceira and Camargo

Hundreds of illegally enslaved Africans, including many women, were brought to Brazil aboard ships such as the Asseiceira and the Camargo. In 1839, the Asseiceira was seized by authorities after being pursued by the Brazilian Navy. The slaveship Camargo was set on fire and sank in 1852. Even though, technically, the African women named on these lists were free, the lists containing their names and the marks on their bodies reveal various dimensions of the complexity and cruelty of the slave system.

Unfinished Conversations

In October and November 2025, we held discussion groups with women workers of the National Archives to collectively review the freedom lawsuits selected for the exhibit. Watch reflections from some of these women about their trajectories, their feelings upon hearing the stories preserved in the National Archives, and their daily experiences with racism and their struggle for racial equality in Brazil.